<%@LANGUAGE="VBSCRIPT" CODEPAGE="1252"%> Dialogues on "Goddess" - sponsored by the Alay'nya Studio

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DIALOGUES

on

The Goddess

In Everyday Life...

Why this theme?

Women's magic and mystery - an inspiration for artists of both genders, throughout all the history of (hu)mankind. The very oldest human artworks express the archetypal woman - round, pregnant with life, both known and unknowable. The essence of "Goddess."

 

 

In these earliest figurines, while the woman's shape was fully displayed, her face was never detailed. Rather, a design would cover her entire head, front and back. This imagery spoke to the essence of being a woman, rather than woman as a specific person.

referred by Alay'nya

 

In ancient times, women expressed their spiritual as well as emotional, physical, and even sexual aspects through dance. This dance, originating from the oldest human cultures, was very organically linked to how our bodies were designed to move.

How did it come about that our physical expression - of both the sacred and the profane (or sensual) aspects of our nature are both so limited today?

 

 

The Venus of Willendorf - 24,000 - 22,000 BCE

Even with this as an archetypal theme running through our culture, there has - especially over the last two millenia - been a counterpoint theme that devalues the mystery of woman. What was once revered as sacred is now often portrayed as profane.

 

The Venus of Willendorf

Circa 24,000 - 22,000 BCE, this is one of the earliest known pieces of art.

Related to mystery is our notion of the sacred. Taken from its root Sanskrit word, even before the Latin "sacre," the origin of "sacred" means "set apart." In ancient Hebraic times, an animal would be sacrificed, and the choice parts of the animal were placed on a portion of the animal's bones and burnt. The burnt offering was one that was not eaten by the people; it was given up to God. This was the "most sacred" aspect of the offering. And the bone which served as a dish for this offering? It was the "sacrum." Literally, the sacrum of the animal was set apart, and was sacred to God.

 

Later cultures continued to express ideas and ideals of what it meant to be a woman. One of the most moving is the statue of a veiled dancer, done in the near pre-Christian era. This statue, lifelike and realistic in the manner of Hellenistic art, depicts a the soft, sensual shape of a dancer. A dancer who is completely covered with a veil.

Hellenistic statue of a veiled dancer

 

When we do belly dance, which is one of the oldest dance forms in the world, we are connecting with our bodies in a way that is not supported by our Western culture as it is today. Most of us are connecting with our torsos, and specifically with our spines, our abdominal muscles, and our diaphragms, in a way that has been closed off to us since childhood. As we go through this connecting, we eventually connect with our sacrum - and our sacredness.

- Alay'nya

The Veiled Dancer

Circa 300 - 200 BCE, this bronze statue is from the Hellenistic culture, and represents a professional mime / dancer who lived in the ancient Greek city of Alexandria. In this early Greek culture, representing a person's inner emotional state was more important than representing an abstract notion of beauty.

 

 

 

Art and Experiences

 

 

"Unveiling" - a beautiful poem by Shira.

 

 

Maha Najeeb

Maha Najeeb writes:

 

Maha Najeeb, used with permission

(Continued from previous page)

forthcoming

- Maha Najeeb

 

 

The Transition

 

 

Your thoughts --- how is your life transforming?-

 

 

Do you have thoughts or comments that you'd like to share about "Goddess"?

E-mail them to Alay'nya at alaynya at ("@")alaynya.com.

(Please note: Not every comment can be published; the editor's good judgment and time constraints will apply.)